Shalosh Sha'at

SHALOSH SHA’AT שלוש שעות

Shalosh_Sha'at_title copy

SHALOSH SHA’AT is “Three Hours”.

The unit of time measured of which it took the heavily-outnumbered Israeli Air Force to destroy the entire Egyptian arsenal of jet fighters and bombers, effectively establishing air-superiority during the Six-Day War, was Three Hours.

SHALOSH SHA’AT is a blog-fiction project that will give prominence to personal experiences had during the Six-Day War, from Israeli perspectives to Egyptian and American; from the perspective of witnesses and participants, to that of soldiers and sons. I am not only looking to sharpen my skills as a writer documenting a valid, well-known historical event, but I also wish to augment my personal understanding of the geo-political moods and cultural introspections of the era with my understanding of Judaism, to the generations of opposing nations and how the conflict affected its people mentally, physically and emotionally; my understanding of Israel’s perpetual growth and struggles giving her rise to international spotlight, and how the conflict has helped forge what the Middle East is today.

SHALOSH SHA’AT is an emotional scope as much as it is a historical introduction to what is regarded as one of the greatest modern military achievements. SHALOSH SHA’AT is a struggle, a piece of frustration, doubt, uncertainty and endeavoring Hope; manna in the sand for both the people who lived through the Six-Day War, and for the generations who live in its shadow.

SHALOSH SHA’AT

PART I: Beginning

PART II: Hermon’s Thunder (Part I)

PART III: (coming soon)

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Shalosh Sha'at

Shalosh Sha’at; Hermon’s Thunder (Part I)

Six months earlier

- – -

Captain Samuel Ratz saunters into the living room of his apartment to find his nine year-old son crafting a picture of what appears to be tall grass and distant snow-capped mountains. It is an odd dreamscape for a young child raised in the hilly, mostly arid oasis that is Israel. A threadbare leather football once in Samuel’s possession sits idly near his son, and the light painting long shadows upon the carpet-on-wood floor suggests it is early in the afternoon.

“Ari,” the Captain calls, “time for lunch. Go meet Ima in the dining hall.”

Ari mumbles a prolonging response as the paintbrush continues to occupy his focus while Samuel walks into the kitchen to find his wife, Rebekah, cooking seasoned latkes atop their cream-colored stove. Subtly wrapping his hands around her waist as not to startle her as she cooks, unflinchingly she continues to stir the crispy potatoes in its glistening oil.

“He is becoming very talented for his age” he whispers.
“It’s lovely, but it is beginning to be an issue at the Yeshiva. Rebbe Malochim told you he seems distracted when reciting his Praises.” Rebekah mentions with a tone of worry.
“You know, my age I was all about füssball, and I continued on to my Bar Mitzvah with no problem.”
Motek, you know Ari takes on after you. He is both occupied with football and art.”
“…And one day he will make an excellent young Jewish man, football player, and artist.”

Rebekah’s smile shyly bends below the curls of her profuse ashy-blonde locks, acknowledging Samuel’s impish comment with half-hesitancy. He kisses her on the cheek while anticipating a mute response, regarding her busyness. But the Captain’s hands, sitting on the waist of his wife’s blouse, continue to advance through the navy wrinkles and rosy camphire flowers decorating the cotton covering the bulging bump of her stomach.

“…and an excellent young brother” he follows. The sun’s rays intensify and their luminescent columns retract on the floorboards towards the window which they shine through. Noontime.

Ari! Wash up!”

The three are settled down at their dining room table, enjoying the copious amount of potato pancakes Rebekah has made. The family’s physical unity is a becomingly rare occasion, much to the mother’s discontent, but something she treats with silent appreciation through an equally rare and unique tendency to grin.

The son prays over the meal, his sidelocks dipping with every bit of grace spoken; a noting color marrying Rebekah’s eccentric blonde hair and Samuel’s thick, raven curls. The latkes are heavenly, and the milk complimenting. In a moment of silent eating, Rebekah speaks on Ari’s painting.

“It’s Mount Hermon” he responds pridefully.
“It’s a beautiful painting,” his mother appraises with the uplifting pitch of encouragement parents distinctly give, “you know, I am sure your father has flown over that mountain plenty of times.”
Ari’s eyes intriguingly shift to his dad’s.
“Yes, Ari. I have seen it many times. I will be sure to show my squadron your art once you finish. Tell them how proud I am of you.”
His anticipation turns from an ingratiating agape to a beaming smile, revealing his one missing tooth.
“Really? Can you fly with it once I am done? It’ll fit right in the cockpit, you can roll it up!”
“I am sure they will let me take it along. If not, I’ll sneak it aboard.”
Rebekah’s eyes shimmer with an affectionate gleam as Sam grasps the hand of his animated son.
“Perhaps I’ll even take a photograph of it from the air and print it for your room.”

The telephone rings.

Without delay, the Captain stands and walks toward the wall-mounted rotary dial and answers.

Hallo?” Samuel mutters, still washing down the debris of cooked potatoes.
“Captain Ratz? This is Daniel Baruch, Mr. Rabin’s consort. We need you at Knesset now.”
“May I ask if there is an emergency?”
“We’ll have more information when you arrive. Are you decent?”
“I am.”
“Good, we have a Jeep on the way to your residence. Clear up all conversation and don’t tell anyone where you’re headed.”

Rebekah stares an intrigued and confused glare from across the stretch of kitchen as Ari silently minds the rest of his messy plate of food.

“Of course.” Samuel caps the conversation and rests the phone back on its hook with a polishing click.

“I’m sorry love,” Samuel interjects, “I don’t know when I’ll be back.” Rebekah nods with a disappointed understanding as her husband breaks for the door with nothing more than his civilian attire.

From the evanescent plumes of heavy cigarette vapor, a black crown of beaucoup and wavy hair sits atop the head of the distant and analytical Major General of the Israel Defense Forces, Yitzhak Rabin. Dressed in as little as his sleeveless Haganah fatigues this chilly November day, he is preparing for a meeting that may determine the survival or extinction of his young nation.

Toting in his hands the documents of cross-border raid reports that has poisoned (if not further nullified) the relationship between Israel and Jordan, Rabin recounts in pain the words he is about to argue in a secret War Committee called to decide the next step in Israel’s national defense. His young confidate Daniel Baruch enters the darkened room to find him staring a thousand yards into the brittle and abused papers resting atop a manila folder. The igneous flicker of a cigarette butt orbits from the still shadow of Rabin’s figure, dipping into an ash tray filled with the cinders and corpses of already consumed tobacco rolls.

It is the Major General’s way of acknowledging an entry without appearing disturbed.

“I didn’t interrupt your davening, did I sir?” the confident young soldier asks, wearing a mask of timidity.
“You know I don’t believe in that bullshit.” Rabin responds in a critical tone, with the slightest inflection of sarcastic amusement, “Is everything going as planned?”
“Sir, I’ve summoned the Chief of Staff and his prospects. They should be joining us shortly.”
“Very good,” the General responds, his voice growing coarse after a long and unwavering career undergirding the State and his growing fondness for nicotine, “inform Mr. Weizman I intend to enter in a few minutes.”
Ken Hamfa’ked.

Baruch departs from the dimly lit smokescreen as Rabin takes advantage of a final few moments to inhale the remainder of his comfort, coddle his mind in preparation of the strains and heated debate and reluctant concourse of his Prime Minister’s Sixth Congress. The Major General mobilizes his papers and hones his conduct, rises, and pursues his shadow cast by the lone lamp swinging from its ceiling above his desk toward the thick door leading out from his office.

The papers under his arm, confidential memoirs embodying the final moments of too many young boys who have been killed by terrorists serving under Fatah, a terroristic government operating to liberate Palestine, will serve as insensitive leverage for his desires to commence retaliatory action.

April 8, 1966, an Israeli farmer was killed by a mine in a Fatah cross-border operation from Syria.
May 16, the same scenario; another farmer killed.
Another Fatah mine-laying operation taking place in the early morning hours of July 13 resulted in the deaths of two Israeli soldiers.
The catalyzing hell finally broke loose from its humble skirmishes during the months of late summer, perpetuating an all-out artillery engagement on the Sea of Galilee on August 15.

If engagement is down-voted and its aegis scrapped, three-million cornered Jews may relive the terrors of what they have freshly egressed from in Nazi-occupied Europe; Rabin has encountered too many bereavements, attended too many funerals, and witnessed too many DOA (dead-on-arrivals) at local Tzahal military hospitals that serve as a perfect prelude to a second Shoah (catastrophe). With a mien of fire and a heart of promise, Major General Yitzhak Rabin, a warrior sworn to his people, will not let it happen.

The eighteen year-old nation will not suffer the same fate as the eighteen year-old soldier boys dying at the mines and mortars of Fatah, and a new threat which convenes this crucial summit, will not force Israel, in the vanguard, to relent.

Mulling words and confrontations alarm the Major General’s patience and poise.

“We are not sentinel’s over Israel’s security,” Nureddin al-Atassi, the fiery neo-Ba’ath Prime Minister, a puppet of the true Syrian military-Arab de facto government, spoke. Following an issued word of warning spoken by Israel’s balding and graying Prime Minister, Levi Eshkol, that Israel has been considering taking disciplinary action, this was Syria’s bellicose response.

Prime Minister Eshkol sits in the darkened Knesset– a persistently lively assembly of enthusiastic house members and dignified citizens alike, with curtains thrown open, attire lively, and the mood almost entertaining– and it could not become more critical at this hour. The usual ties and smiles are now replaced by epaulettes and grimaces.

Captain Samuel Ratz’s Jeep travels down the dry highway, trailing behind a scene of a typical gloaming Israeli November. A nameless driver he has come to ignore amicably due to the tense and curious nature of his summoning appears to be familiar, though more people are familiar than not in this small country. His pale eyes impressed with the irises of midnight stare calmly perturbed at the vivacious clouds and light warring for the sky and its supremacy.

A saunter of wheel on broken tar creates a bipolar turbulence, shaking the Captain from his thoughts and coaxing him back into deep musings and restiveness. The ten pillars of the Knesset building come into view– a stark, Western architectural behemoth standing stout and clashing against the rest of Jerusalem, trimmed in ancient Semitic domes and angles.

The driver parks awkwardly on the side of the road, lunges in a rush to release the Captain’s door, and briefly, silently, salutes Samuel as he salutes in return, eyes forward, contemporaries and routine allies of higher rank strolling rigidly into the building.

Levi Eshkol appears more pale than normal. The hairs of his distinctive mustache are beginning to bend and break into the wrinkles of his upper lip, reducing his once handsome Eastern European quality into one of a man who seems conflicted, two-faced; a displayed mental struggle against a weighted burden of national vice. Yet albeit his unhealthy appearance, he still carries himself meritoriously alongside his mentor, David Ben-Gurion, the original Prime Minister of Israel and an international icon for modern Zionism, who is seated adjacent Levi toward the end of their conference table.

Yitzhak Rabin traverses solemnly the colorless back hall, rigged with pipes and dark light, and approaches a stark figure soaring against the tall door entering into the Knesset commons.

“If it isn’t our pompous Air Force Commander,” the Major General insults.
“It is. In your fatigues, Mr. Rabin?” Ezer Weizman, longtime pilot and current Commander of the Israeli Air Force, quickly snaps back.
“In our plain clothes? The Sabbath is over.”
“Like we sleep at all these days, am I right?”

The two are so familiarly acquainted, shaking hands has almost become derogatorily naïve.

“You’re late,” Commander Weizman continues, “but I don’t think you have to worry too much. This is more of a declaration and debate more than it is a vote.”
“A hell of a declaration. It tears at my gut.”
“You and everyone else in Israel. Just wait until it hits the airwaves.”

The doors are braced by two idle grunts in Haganah fatigues similar, though subordinate, to Major General Rabin’s. A minute platoon of helmeted soldier boys with guns strapped around their young shoulders guard a congregation of bickering and elderly scholars, politicians and Zionists-alike; their inheritors: young, stalwart men who have physically reclaimed the city they currently meet in not even two decades prior, stand resolute and submissive in the presence of their senior dialogue.

“Well, just wait until it hits here.”

_ _ _

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LITERATURE ספרות, Shalosh Sha'at

Shalosh Sha’at; Beginning

Thus the Heavens and the Earth were finished, along with everything in them. On the Seventh Day G-d was finished with His work which He had made, so He rested on the Seventh Day

Bereshyt/Genesis 2:1-2

_ _ _

It is those first conscious moments of morning that give a closer meaning to life than any philosopher’s ancient thoughts locked within the musty pages of a neglected volume. The twilight that sets itself obeisant though stubbornly on the riveted stucco walls and wavy plaster fields of shadowed white, prompting images of mountains upon the ceiling adding to the mystery, but incur with the curiosity of life’s questioned inception during those first hazy days of humankind, suspend Aron from any more sleep.

It is not only the grandeur of the sunrise, the colors of its conflagrant opus painting the walls, and the presence of a sexually-active woman in bed beside him that has dispatched any more possibility of rest, but, a true concern serving as a stanch to his indifference constricting Aron’s otherwise relieved thoughts: Syria and Egypt.

It has not been long. With only four hours of solid sleep, Aron battles the illusions of the half-dark, half-awakening room while feeling his girlfriend, Sarah, breathe silently amid the warm incandescence welcomed through the bedroom window. The sentiments of their love-making and closeness emphasized by muscle cradling lover have since faded; replaced by bizarre dreams of the Star of David flowing elementary in the halo of sunlight, so bright he could feel the heat shine through the river and white thread. The shock and awe was all too real for him, as bullets rifled through the fragile fabric, lacerating the banner from symbol to history.

Egypt, in all its determination, is ready to plunge into total war that will be the end of Israel.

_ _

No. This is the reality of flesh and blood; plastered beneath the attentive eyes of morning consciousness, running peacefully by the surface but passionately gruesome on the underside, a trope to the critical conditions dissolving any hopes for peace in this Middle Eastern hell.

The terrors of jihad are haunting Aron in his sleep just as they haunt him on the foreign airwaves by sunrise. All of Israel knows. Sarah knows.

Aron turns to find some solace in this reality, and watching his girlfriend’s heavily-lashed lids closed against the tanned ledges of her beautifully thin face, he is filled with the buoyant satisfaction of the yester-night contrastive the odd dreamscapes he had following their exhausting session. He has peace although knowing that they may go to war.

She is lying exactly as she had been falling asleep: arms bending onward her face, hands resting in mingled branches of delicate, ultimately restful fingers; he remembers as he reaches his neck to mark her temple with his lips, halfway buried beneath a white pillow and covers sheltered by a flowing rapids of untamed dark hair.

Aron analyzes instability in his heart as his eyes meet the details of their temporary residence. The still artifacts of elderly idols and wall Hamsas inherited from their relatives who endured the Second World War—cheap amulets of Egyptian origin, renamed “hand of Miriam” by the Jews, notionally defending their owners and trustees from misfortune—displays its aching memory reminiscent through the chips of the glass and the chaffing of the busts. Books both ageless and modern sit stray all over the apartment; casting shadows on the white walls from their towering presence on tables and more orderly shelved residences, creating an illusion of wholeness in a residence otherwise still empty and becoming.

This is Aron and Sarah’s paradise.

Boker Tov, sweet.”

An irritated murmur quivers hoarsely from the bed sheets, followed by a pause amid the ruffling of kicking away blankets and covers as Sarah welcomes her lover’s words, then retreating back to her irritation, “I can’t stand this fucking heat,” she whispers in a frustrated, gravelly register.

She is never content on little sleep, nor welcoming of the blistering temperature the Israeli sun imposes during the early hours of daylight. It is almost too common, especially during the summer of which it almost is.

Aron retreats to the warmth of her skin, kissing her forehead with eyes closed, almost suggesting but intentionally comforting. Her grateful moan is enough to speak her change of attitude, and she smiles a half-smile, a crescent of pink reaching from the crushed waves of cotton and linen. The globes of her beautiful eyes, irises allusive to coffee, throw wide with that flirtatious tinsel all too common in women of her Sephardic origins.

He fixes the collar of his shirt she wears—one of three olive dress uniforms issued to form his 35th Brigade wardrobe—as the two silently compromise their gaze for the sake of day.  Aron stares silently as he rises from their bed.  A perfect struggle, a perfect human being, a perfect purpose, rises on all fours in his unwieldily green tunic she so fondly dons.

His worries speak, but his courage refrains.

_ _ _

SHALOSH SHA’AT

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ISRAEL ישראל, LITERATURE ספרות, Shalosh Sha'at

Shalosh Sha’at: Repurposing

I have decided to carry on with Shalosh Sha’at, but instead of presenting it in its original short-story form, I am going to be writing it piece by piece, and displaying it here on this domain in individual, weekly posts (depending on my rate of writing, these breaks between “episodes” may extend beyond a week’s time).

I hope to finish this project albeit my deficient expectations. Even if it will remain incomplete, and even with the possibility of a potential revision in the time to come, I will make it as beautiful and stirring as the essence behind it.

Later tonight the first Part will be posted online.

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LITERATURE ספרות

ASCHEMORGEN: Restiveness

When dreams become visions, and visions splice with your character, and your character– obligation; planning becomes hesitation, hesitation becomes fear, and fear with obligation begets restiveness.

In the eve of this book’s writing, I have molded my thoughts into the man that was, and will be, Erwin Johannes Eugen Rommel. The German Field Marshal who used his cunning nature to win the Libyan front against the English and eventually the Americans, and was proceeded to take charge of the construction of the Atlantic Wall, a monolithic shoreline defense extending from Northern Spain to the Barents Sea.

However, most of what Erwin Rommel endured in his later years of becoming the renowned Wüstenfuchs (“Desert Fox”) would never have happened due to the alternate war between England and Nazi Germany, that would have saved the Third Reich from the two battle fronts that resulted in its early demise, and allowing further concentration on its war against the Soviet Union.

But it is not necessarily the change in events I would like to focus on, rather, the character, the dilemma of the Wüstenfuchs, and his task of invading and appropriating the Eastern seaboard of the United States of America, his close and increasingly discommodious relationship with Adolf Hitler, and his desires for a new, placid Germany.

I have many doubts for this book, but not for the concept. My writing needs to be focused and honed; every paragraph needs to be a masterpiece, a force, detailing every accurate nicety that was this man and his responsibilities, the lives and thoughts of everyone of his men, ranging from the stark malevolent of many Nazi contemporaries of his day, to the tortured souls of the conspirators, the saviors, the silent idealists; the victims of this American Holocaust who speak a major voice in this novel.

But in the end, with many little revisions, many re-reads, many small additions and perhaps more monumental edits, I hope to paint a vivid documentary of struggle and spirit that represents the United States colliding with modern history’s most renowned, captivating evils.

And as much as I write of effort, it will remain an effort to write.

I will unravel a little further later on.

16:45

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LITERATURE ספרות

Drood

Today, I have picked up a new hard cover book written by one of my favorite authors, Dan Simmons, at a Magers & Quinn bookstore. The first novel I had purchased of his (and later subsequent copies for the purpose of replacing my original paper back fraying in disrepair), The Terror, fictitiously documents a most haunting and fascinating historical subject of my partiality, the Franklin Expedition.

Captain Crozier comes up on deck to find his ship under attack by celestial ghosts. Above him – above Terror - shimmering folds of light lunge but then quickly withdraw like the colourful arms of aggressive but ultimately uncertain spectres. Ectoplasmic skeletal fingers extend toward the ship, open, prepare to grasp, and pull back.

The temperature is -50 degrees Fahrenheit and dropping fast. Because of the fog that came through earlier, during the single hour of weak twilight now passing for their day, the foreshortened masts – the three topmasts, topgallants, upper rigging, and the highest spars have been removed and stored to cut down on the danger of falling ice and to reduce the chances of the ship capsizing because of the weight of ice on them – stand now like rudely pruned and topless trees reflecting the aurora that dances from one dimly seen horizon to the other. As Crozier watches, the jagged ice fields around the ship turn blue, then bleed violet, then glow as green as the hills of his childhood in northern Ireland. Almost a mile off the starboard bow, the gigantic floating ice mountain that hides Terror’s sister ship, Erebus, from view seems for a brief, false moment to radiate colour from within, glowing from its own cold, internal fires.

(Simmons)

The book follows the lives of the real 129 English sailors and officers and their two ships, who, beginning in May of 1845, traversed the Canadien archipelago in order to locate the Northwest Passage; a proposed shipping route between Europe and Asia, that would cut seafaring travels by months. After two years, a mysterious disappearance, and no sightings by whalers and emergency expeditions following, the crews never returned home.

The Expedition’s story quickly unraveled in the decades following the disappearance, as search parties, turned research expeditions to find answers in light of the disaster, discovered three graves on a remote island where the two ships had wintered, followed by scattered debris of artifacts, skeletons, and finally lifeboats carrying supplies south of the ships’ last reported positions, frozen in the frame of a survival effort.

Modern day research of the artifacts, officers’ notes, and the exhumation of the graves have revealed the sailors’ fate worsened by the effects of an unusual seasonal pack ice stranding the ships for over two years, lead poisoning traced to the saliors’ canned rations, and under-prepared garments to face the extreme cold of the polar regions.

Dan Simmons took this fascinating subject and its musty, morbid appeal and transformed it into a historically fictional thriller of sheer terror, while including his own supernatural take on how the crew perished in the presence of an invincible monster, conjured from Esquimaux mythology, stalking the unwelcome men and trapping them until their death. That is Simmons’ appeal, the ability to deepen such a fascinating subject and give satisfying answers as to the sailors’ copings in a black, winter hell, raising more of a curiosity for the subject in the reader, rather than providing dumbed-down remedies as to how the mystery came to resolve.

It was a lot to handle in such a lesser-known novel. The research was noticeably painstaking, the character development seducing, and the execution of one of Western civilization’s most intriguing secrecies, fulfilling.

So it was with no hesitation that I purchased another novel of his, once again set in the Victorian Era, following (what I presume) the final years of English writer Charles Dickens.

Reading the first page of the first chapter created the image of an insane spawn of Dicken’s imagination, detailing the last wayward and diminishing years of the renowned social critic’s life, set in the slums of London. So it was with no hesitation that I purchased this book, indeed.

I treat this as both a project and a leisure, for I love studying this author’s work and modeling my own skills to be proximate to his. His style is incredibly deep and rich, and if I could write something even remotely as detailed, thoughtful, and steadfast as his ambitiously collaborated historical fictions, I would be honored and ever-pleased. This is especially imperative for my historical fiction, AscheMorgen, expounding the life of Erwin Rommel, a Nazi Field Marschall who conspired to kill Adolf Hitler.

Every artist is a cannibal, every poet is a thief.

18:49

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BRENDAN ברנדן, ISRAEL ישראל

Life: an Incandescent Progress

No one quite knows what is behind the veil of the next sunrise. As that powerful rotund of light inherits the night’s cool expanse of lightyear-distant diamonds, lightning shows, dreamers, drunkards, thinkers, writers and insomniacs, the new day comes.

The fresh day brings different people, old friends and new experiences, further solidifying us either in our wanderings or certainties. Tormenting the patient man and fulfilling the hardworking woman.

I am so young and still finding my place around the world that I fear to speak for others, but for me, life is a beautiful waiting room. It is difficult to contain patience and even more painstaking to contain the transit. Many friends of mine are moving away, completing college; for me, conversion is a process and a trying one. But because of this progress I am meeting many more people both personally and overseas alike, and it is these times I have looked forward to all my life.

Everyone close to me is so encouraging. I am thankful for the friends I have and it is a privilege to be an inspiration, a shoulder, an anchor for them as they are for me.

Each and everyday I wonder about marriage. Curiosity and commitment are some of life’s greatest mysteries. I cannot give myself up, not yet; I need to complete my yearning of moving to Israel and becoming a photojournalist before I am to dedicate myself for the engagement, happiness and lifelong oath to another human being.

“The silence is taxing
I’m waiting for something
There’s images
of love and war
and everything’s here to explore;
It’s all alike,
unusual, a different place
But beautiful
and it is not
quite as it seems
I hear the children’s laugh and screams.

It’s beautiful.
So beautiful.”

Shalom
13:47

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ISRAEL ישראל

NETANYAHU

“We’re preparing for war, and it’s hard to know what to expect. What I’m positive of is that there will be a next round, and others after that. But I would rather opt for living here in continual battle than for becoming part of the wandering Jewish people. Any compromise will simply hasten the end. As I don’t intend to tell my grandchildren about the Jewish State in the twentieth century as a mere brief and transient episode in thousands of years of wandering, I intend to hold on here with all my might.”

YONATAN NETANYAHU
1946-1976

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LITERATURE ספרות

ASCHEMORGEN: Update

In the aftermath of a short story project being lost, I transferred my frustration into furthering my progress on different, grander project, ASCHEMORGEN, also known as “Ashes of Tomorrow”.

I feel an essential need to expand my raison d’être as to why I am writing a book as controversial as this. For one, it is mainly focused from the perspective* of a homosexual German paratrooper who struggles against societal identity and creed, as his nation wages an invasion against the under-prepared United States in an alternate-world 1948. He is ordered to commit evils greater than ethically fathomable, and undergoes the transformation from a boy-poet living in the woods of Bayern to embracing his shackled destiny as a soldier fighting on a foreign shore for the Dritte Reich.

As a Jewish prospect, why am I risking to write a novel under the sympathetic perception for a Nazi soldier? Because deep inside, this young man is not a Nazi. He is a torn soul, disillusioned by the iron fist he has been taught to view as his Messiah during his poverty-stricken upbringing during the Weimar Republic. He is pressured under the spurning anti-homosexual, Jew, Gypsy and Communist agitprop that was the National Socialist movement of the 1930′s and 40′s. He is desperate for whatever asylum he can invest in to survive, and as for the many Germans and co-belligerents during that troubled time, survival was a choice of blunt surrender or silent resistance.

*(note, one of many perspectives)

More to come.
02:37

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